There is so much to love about Nomadi, starting with incredible harmonies, songwriting chops and stellar stage presence. Now signed to Nomadi’s ForeFront Records, the title track from second album “Canzoni d’Oltremanica e d’Oltreoceano” leads Nomadi’s back-to-school campaign. Self-described as folk: latin with lots of words, Nomadi comes out swinging on perhaps his best album to date. Canzoni d’Oltremanica e d’Oltreoceano is preety good and all the songs have a good meaning behind them.
Sixti years on (ala bianca) is a catchy, up-tempo track that has influence of music streams without leaning too much in that direction. Nomadi sings Girl don t tell me (la mia liberta) in such a comforting, confident voice that you can’t help but be moved. Put Whicita lineman (l’auto corre lontano) into car stereo for your highway driving Hi ho silver lining (vola bambino) - I used to hate this song, but now it’s one of my favorites. Nomadi allows each song to breathe and flourish. The revolution kind (come potete giudicar) is possibly the best song Nomadi has come up. Nice and different song. Gotta see Jane (il nome di lei) actually sounds so joyous, that you can practically see a smile on Nomadi’s face. Nights in white satin (ho difeso il mio amore) is a strong cut, one of many. It’s a great pleasure to listen to My mind’s eye (4 lire e noi) from the beginning to the end. You have to get essence of the Death of the clown (un figlio dei fiori non pensa al do’s power, to truly understand this masterpiece.
Canzoni d’Oltremanica e d’Oltreoceano CD


