Now signed to The Velvet Underground’s Columbia Records, the title track from second album “Live at Max’s Kansas City” leads The Velvet Underground’s back-to-school campaign. On Live at Max’s Kansas City album, The Velvet Underground have renewed their membership in the ‘if it ain’t broke…’ school of songwriting. This eleven-song debut EP shows the promise that The Velvet Underground has. Oh yes, this album gets Array out of Array
Sweet Jane is a bit different from The Velvet Underground stereotypical stuff. The Velvet Underground sings Lonesome Cowboy Bill in such a comforting, confident voice that you can’t help but be moved. Beginning to See the Light has a fun tempo. I’ll Be Your Mirror one is one of the better boring ones. Pale Blue Eyes have really caught my ear and imagination. Sunday Morning - This one makes me want to not only sing along. New Age is an underrated song: I like its lyrics and melody a lot. Femme Fatale is a song to enjoy for years to come. Within the first few notes of After Hours it’s perfectly clear that The Velvet Underground is living this song.
Live at Max’s Kansas City CD
| Song Name | Time | ||
| I’m Waiting for the Man.mp3 | 4:34 |  |
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| Sweet Jane.mp3 | 5:23 | |
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| Lonesome Cowboy Bill.mp3 | 4:26 | |
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| Beginning to See the Light.mp3 | 5:33 | |
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| I’ll Be Your Mirror.mp3 | 2:07 | |
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| Pale Blue Eyes.mp3 | 5:52 | |
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| Sunday Morning.mp3 | 3:34 | |
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| New Age.mp3 | 6:31 | |
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| Femme Fatale.mp3 | 3:19 | |
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| After Hours.mp3 | 2:55 | |
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